| Mike's Guitars |
| If you would like to drop me a line and express your opinion here, please Email me at: mykeychainrecords@yahoo.com |
| Boy did I ever want a Gibson ES 5! Well, unfortunately, I can't afford the real thing or it's reissue. Enter the wonderful Epiphone company! This is a fabulous instrument with a very nice flame all over the body (click on the pictures to bring up a closer shot of the guitar). Plays and sounds great. Two drawbacks for mere mortals: This guitar really wants to howl if you crank it up with overdrive and with no toggle switch, you have to be pretty quick on the draw to change volume. The lay out is: master tone up by the cut out and three individual volumes. |
| These guitars look like the same guitar. Well, that's because they are the same model! Two 1950's Harmony Broadways! The left one is a darker brown sunburst and honestly possibly the better player of the two. The Broadway on the right is a cherry sunburst and it came to me from the great state of Hawaii! Beautiful checkerboard binding on these monkeys! My original burnt in a Nasty's cabin fire. The Nastys, of course, lied to the insurance company and told them it was some 1920's Martin. They got the money, but did not replace the guitar. Ahh, back home! |
| My first electric guitar! I was feverishly practicing on the late '40's early '50's Harmony Broadway arch top I had found in the closet when the Nasty's bought this 1960's Framus guitar for me for Christmas. More switches than you could imagine. Armed with the homemade distortion box my cousin made & a solid state TS 100B Traynor amp, I was serious trouble! Check out the birds eye maple on the back. Ouch! Hey kids! Matching case! |
| Framus Mandolin. I had another bowl-back mandolin, but someone absconded with it. Had this one for years too.Some knucklehead drilled a hole in the headstock. Nice back on this one. For effect, the strings must be twenty years old. |
| 1950's Kay The circa 1950's Kay has been used a few times live but mostly on demo tapes. It has a full rich tone & as a bonus I still have the original case! |
| 1970's Ovation The Ovation on the right was purchased for me for my high school graduation. It was a used guitar back in '81. I was never really interested in Ovations. This must have been one of their earliest acoustic/electrics. It was rarely used as such. I have toyed with selling it but I have no other acoustics anymore. The dink stole my Framus flattop. Oh well, this one still works & it's throws some volume acoustically. |
| 1960's Teisco Del Rey The guitar on the right is a '60's Teisco Del Rey. It's a copy of a Vox Phantom. This guitar was bought from a garage sale by my Uncle Bob in the mid 70's. He bought it as a joke because he wanted to pretend he was Elvis. My Aunt & Uncle wouldn't sell it to me.They in turn sold it to my friend Tim Ivory. Tim was dating Paul Haider's wife's sister so Paul ended up with this guitar. Somehow in the '80's the guitar came (nearly) full circle & ended up in my possession. It has a very comfortable home in my basement rafters. |
| The guitar on the right is a '50's Harmony Master. This arch top takes the place of my Harmony Broadway. The Broadway was a fabulous arch-top guitar that my Great-Grandmother gave to my biological father. It had mother of pearl dots in the neck & multiple binding on the body. It didn't survive a fire at the cabin. The Nasty's duped the insurance company & never replaced the guitar for me. I still have fond memories of getting my first finger blisters learning on that guitar.I would love to find another. |
| This uke is a Harmony. It's a large ukulele I think I've read it's a baritone uke. Don't hold me to this. I've had it since the late 70's. Given to me by my grandfather I have only ever learned "Tiptoe Through the Tulips" on it Kinda a snazzy little instrument though. The one on the right I purchased in a Goodwill around 1977.That was when you could still get good deals there. Like a tie for a dime. This instrument had a $5.00 tag on it which I switched to a $1.00 tag. It's great for those east Indian ragas we all love so well. Of special note is the one broken Gibson tuning key from a Les Paul and the Kay pickups that I mounted to it in case I wanted to use it live. Never have, so it occupies a place of honor on my shelf. |
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